Put your ideas to work and bring the 1960’s federal building to Zero Environmental Impact
The Metropolis Next Generation® Design Competition was created in 2003 to promote environmental activism, social involvement, and entrepreneurship in
Metropolis saw the need for a new type of competition, one that went beyond the usual beauty pageants for finished projects, a competition that would generate and reward ideas. Metropolis is rewarding imaginative young designers, be they employed by large companies, those striving with their own young firms or on their own, as well as students.
The Next Generation® winners and runners-up are a testament to the success of this mission. Each project recognized has embodied the core values of good design—incorporating systems thinking, sustainability, accessibility, materials exploration, historic relevance, and technology—while
on what designers can accomplish. The breadth of proposals has been stunning: building projects, urban planning and community building schemes, responsive interior environments, population pressure issues, new materials, ergonomics, product design, social and housing solutions, environmental management, water purity, and waste disposal in crisis situations and so on.
For 2011 we are asking for a Zero Environmental Footprint for a GSA building. We challenge you to think about how we work, what we use, how we get where we need to go, hidden costs to our pocketbooks and the environment, across the whole design spectrum. Focus on one area that needs fixing—products, interiors, buildings, landscape, communication systems, or anything else you can imagine—and develop your idea fully, or develop a whole system of fixes. Metropolis encourages you to think big and test your ideas through the Next Generation® competition.
Metropolis encourages you to think big and test your ideas through the Next Generation® competition.
professor of architecture at the Yale School of Architecture, is educated as both an architect and engineer. Her teaching and research explore energy systems, advanced materials and new technologies. Building on her dissertation research on the discrete control of boundary layer heat transfer using micro-machines, she has extended her work to defining the strategic relationships between the differing scales of energy phenomena and the possible actions from the domain of building construction. Her articles and chapters on energy, system design, HVAC, lighting and advanced materials have appeared in several journals, books, and reference volumes. She recently co-authored a book on “Smart Materials and Technologies for Architecture.” Michelle has taught at Harvard University for ten years. Before studying architecture, she was an engineer and manager at DuPont for ten years. She began her career as an engineer with NASA. She received her Dudes and MDesS from Harvard University, BArch from Temple University and BSME from Tulane University. In 2009 Architect magazine selected her as one of the country’s top ten faculty architecture faculty members.
is chief creative officer of COLLINS:, a design company dedicated to inventing brand experiences and communications that shape companies and people for the better. Prior to COLLINS:, Brian was chairman and chief creative officer of the Brand Integration Group (BIG) at Ogilvy & Mather. His clients have included Coca-Cola, CNN, Levi Strauss & Co., American Express, Motorola, Mattel, IBM, Amazon.com, Microsoft, Hershey’s and The Alliance for Climate Protection. His work has been featured in The Wall Street Journal, The New York Times, Business Week, ABC News, and Fast Company, which named him one of five American Masters of Design. He is the founder of Designism, an annual symposium in New York City focusing on the role of social activism in design and advertising. Brian is a distinguished alumna of the Massachusetts College of Art. He is vice president of The Art Directors Club of New York and is on the faculty of the School of Visual Arts. He received an honorary doctorate from the Art Center College of Design in 2008. He speaks globally on design and innovation including at the World Economic Forum in Davos, Switzerland, and is a member of the Forum’s Global Agenda Council.
IA, is principal of Pugh + Scarpa Architects in Los Angeles. The work of Lawrence Scarpa has redefined the role of the architect to produce some of the most remarkable and exploratory work today. He does this, not by escaping the restrictions of practice, but by looking, questioning, and reworking the very process of design and building. Over the last ten years Larry has received more than fifty major design awards, including sixteen National AIA Awards. In 2004 The Architectural League of New York selected him as an “Emerging Voice” in architecture. His work was recently exhibited at the National Building Museum in Washington, DC. He has been featured in Newsweek and appeared on The Oprah Winfrey Show. In 2009 Interior Design Magazine honored him with their Lifetime Achievement Award. In 2010, his firm Pugh + Scarpa was awarded the National and State of California Architecture Firm Award from the American Institute of Architects. He has taught and lectured at the university level at numerous schools including UCLA, Washington University in St. Louis, University of Florida, Mississippi State University and SCIArc.
AIA, chief architect, Office of the Chief Architect/Capital Construction Programs of the US General Services Administration. He was appointed to this post in November 2006 after serving as acting chief architect for 22 months. Prior to this position, he served as the director of Federal Buildings and Modernization with the Office of the Chief Architect. As chief architect, Les is the senior advisor to the Administrator of GSA and commissioner of the Public Buildings Service (PBS) regarding federal architecture and design policy and innovation. Current design and construction work in progress has a value of more than $12 billion executed by 11 GSA regional offices. His career with GSA has spanned almost 22 years. During this time, he has served as the director of the Field Support Division and the director for the Center for Architecture, Engineering, and Urban Development.
Herman Miller is a global company with operations, sales offices, dealers, and licensees in more than 40 countries in North America, Asia/Pacific, Europe, Middle East, Africa, and Latin America.
Visit: www.hermanmiller.com
Note: Would you like to share more information on the greening of the US government, Zero Environmental Impact design, or other topics of relevance? Email me the title of the piece at sss@metropolismag.com and I’ll post it here.
The Competition is open to any designer or architect in practice for ten years or less, as well as design students. The $10,000 prize is intended to support designers whose entries reflect systems thinking, sustainability, accessibility, materials exploration, progressive technologies, historic relevance, provocative form, and beauty. Each designer should speak to any one of the 6 sub-disciplines supported by the magazine—architecture, urban planning, landscape design, interior design, product design, graphic design. Employees of Sponsors are not eligible. All entrants agree to be bound by the Official Rules.
Entry Fee & Deadline
The entry fee is $75 for each submission. All entries must be submitted by January 31, 2011 at 11:59 p.m. PST Residents of the following states by law are not required to pay an entry fee: AZ, CT, MD, ND, and VT.
Maximum Number of Submissions
Up to three submissions will be accepted from an individual or team of collaborators. A separate application and entry fee is required for each project submitted.
Original Work
By submitting an entry, whether as a proposal or a working design, the entrant warrants that it is his/her original work and that they have permission to publish the material.
With the exception of the Personal Information section of the application, nowhere in your application, images, or supplemental material, should your name or likeness appear.
Submission Process
Projects must be submitted electronically via the online submission form at www.metropolismag.com/next gen. Metropolis will not accept mailed materials. By clicking the submit button applications are finalized and cannot be altered at a later time.
The online application allows applicants to upload supporting materials. If an attached file is corrupt Metropolis will contact the applicant for a replacement file. In this case replacement files must be received no later than February 4, 2011 at 5 p.m. EST
Winner’s Obligations
Runners-Up’s Obligations
Accuracy and Copyrights To download the Accuracy and Copyright information, please click the link below.